what you say is what you get

One of the most intriguing artists that has used, abused and appropriated the www with freshness and creativity is Han Hoogerbrugge. Artist, animator, designer, interactivist, call him what you want, but he’s always been intriguing, if only for his constant consistent attire of pin-striped suit.

And this week seems to be Hoogerbrugge’s week.

If you happen to be in Rotterdam, go check out his interactive installation ‘What You Say Is What You Get’, commissioned by the Boymans van Beuningen museum. He’s been developing a keen interest in installations recently and this is a next step. 

And then there’s the release of ‘Modern Living’, a book-cum-DVD all about Han and his wide range of work. A monograph as they say. It’s been a while in the making, but it’s all yours now. Check out Submarine Channel for more info.

And if you like the darker side of Han’s work, you should visit his new project, Prostress 2.0, an intriguing series of  ”Daily fresh servings of professional stress”. Different, as they say. 

I like the man. 

 

 

curating advanced beauty

Reading the words “audio-visual” and “experiment” in the same sentence always makes me a bit cynical and respond with a sentence that includes the words “moving” and “wallpaper”. But the Advanced Beauty project, conceived and curated by London-based digital design studio Universal Everything is well worth a look.

One: because they’re setting creative parameters to their artists. Technical as well as creative. And in my opinion, limitations are always a good thing in an art-type project like this. 

Two: because they’ve created their own platform. Where normally this kind of work would end up in festivals like onedotzero and, if they’re lucky, on a DVD that sells a few copies in the ICA to fellow artists and some agency creative directors, these guys have taken it in their own hands and distribute the work through a podcast. This way, they must reach people that they wouldn’t reach normally. And the DVD will follow later, which I guess will make them some money. 

And three: because I think some of the work is actually quite good. Especially the film by UV & Minivegas, which put a smile on my face. I’m actually looking forward to seeing the rest of the series.

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