Through the lovely blog Today and Tomorrow, I stumbled upon these French art-pranksters, prank-artists, guerrilla-dudes called  Encastrable (loose translation: built-in, I think).

This French duo (Antoine Lejolivet and Paul Souviron) uses street-art-type techniques and applies them to the über-dull world of DIY shops and supermarkets. Just using items that are on the shelves and without permission, they create these ephemeral installations that turn the supermarket into an artistic space. Nice. Funny. Critical.

Also, for some reason that reminds me of a Biz Stone (Twitter co-founder ) quote I read this morning: “Creativity is a renewable source.”
It’s a lovely day.

I like street art. Bumping into cool, beautiful, silly interventions always makes me smile. The fact that someone uses the world around us as a canvas just, you know, is great.
Mmmm, feels like it’s hangover Friday today.

Anyway, this one would definitely make me stop if I saw it. German artist Jan Vormann uses Lego blocks to fill up cracks and holes in walls. Dispatchwork, he calls it.
He’s done it in Italy and Israel before, but his latest contructions are set in Berlin. 

Photo by Kathleen Waak

Aaron Koblin was part of the team that made that Radiohead-video-without-cameras and these are some amazing visualisations from US flights paths that he made. Check out the animation here.
Can we have that hanging on the wall please, with live updates, as a living painting?
In any case, another great Koblin example of technology meeting art. 

By the way: suggested by @bbhlabs, a rather inspiring bunch. Because yes, I got on Twitter (@leftrightcentre). When friends start sending you emails, saying “I wouldn’t have to email you this link, if you were on Twitter”, you know it’s beginning to make sense.
So far, so fun. I’m enjoying it and do think I’ll start finding it useful.

Big billboard ads are an obvious source of inspiration for any street artist. Simply because they’re an intrinsic part of any big city street. There’s even a Poster Alteration Art group on Flickr. 
London has its Decapitator but I do like Poster Boy, a New York street artist that spices up the subway stations over there with his radical mash-ups of posters. Armed with a razor blade as his weapon of choice, he cuts up ads and re-arranges them on the spot into something funnier, more political, more thought-provoking. 

Check his Flickr stream here, films from Wooster Collective, Animal Magazine and his own YouTube channel and articles in NY Mag and the Guardian. 

Lots of attention, so answers on a Tweet: will he show up in an ad soon, sell out to galleries or is he using the media to start his own little revolution. From his interview with the Guardian:

“That’s what I want Poster Boy to be about,” he enthuses. “The idea of taking your environment into your own hands and making it what you want. As long as you’re not hurting other people, it can’t be bad.”

Feel inspired by the collaborative effort of Bart Hess and Lucy McRae, quite aptly called Lucy And Bart.
In their own words: “instinctual stalking of fashion, architecture, performance and the body”.

I never mentioned it here and I didn’t manage to vote, but Volvo, Vice Magazine, The Independent and Yahoo ran this competition called Creative 30, to find the leading creative think-ers and do-ers in the UK. The winners have just been announced and the jury chose artist Katie Paterson, while the public vote went to milliner (isn’t that a beautiful word for hat-maker) Will Chambers. Paterson’s pieces are particularly intriguing. She makes various sound sculptures, influenced by science and nature and general cookie-ness. Charming stuff. 

But have a look at the other 28 nominated creative talents and check out their profile films. I particularly liked the work of photographer Jonnie Craig (see picture above), illustrator Mimi Leung, the beach chairs from furniture designer Max Lamb and ‘possible sculptor’ Daniel Mort.  
Nice initiative and interesting to see that a brand like Volvo wants to spend some money on this (Paterson wins £10,000 – Chambers a Volvo).

Art that’s suitable for the festive season.
New York artist Rosemarie Fiore uses all kinds of found objects to make her art, but her firework paintings are particularly intriguing pieces. By bombing sheets of paper with fireworks and controlling the explosions, she creates these abstract environments. I’d love to see/smell a real one and sounds like a lot of fun to make. 
Nice.
So who’s gonna turn that into a music video or a commercial?

One of the reasons we ventured outside of Tokyo on our recent Japan trip was to see a few recently built museums (I was traveling with some architects). 

The first one was the great 21st Century Museum of Contemporary Art in Kanazawa. If you’re familiar with the work of design studio Sanaa, you’ll understand it when I say that the space is quite minimal. Still, it works very nicely, also because they had a few art works commissioned as part of the architecture. There’s one of those James Turrell sky-windows, but the real clincher was this clever, but beautiful piece by Argentinian artist Leandro Erlich. 

They also had a really nice collection, mixing Western conceptual chaps like Jan Fabre and Damien Hirst with local artists and incorporating more ‘popular’ platforms like animation and figurines. I particularly liked this great installation by Yoshitomo Nara, in collaboration with graf. [Read more]

If you happen to be in The Hague or in Holland, pop by the GEM museum for ‘Les Beaux et Les plus Beaux’, what looks to be a fantastic exhibition by Dutch artist/sculptor Silvia B. 

I once had the pleasure of visiting her studio in Rotterdam and was immediately sucked into her wonderful world of hybrid creatures and thought-provoking esthetics. You have to love someone who creates a series of gloves like this Skinover series.

In the previous Japan post, I mentioned the Japanese tendency to experiment a lot with design and their obsession with it. When we went to visit the 21-21 Design Sight pavillion (made by Tadao Ando), we stumbled upon an exhibition called ‘Second Nature’, curated by a designer called Tokujin Yoshioka, which confirmed that thought. 

Apart from very interesting art/design pieces, like human/tree hybrids and chairs made of crystals whose growth is influenced by playing different kinds of music, the setting was amazing. The ceiling of the gallery was covered in 360,000 plastic straws, which made you feel like you were walking in another eerie, beautiful universe. 

We weren’t allowed to take pictures (an interesting habit in most of Japanese galleries), but Wallpaper has a nice collection of stills, plus a Q&A with the designer/curator.