We recently moved studio and one of the guys that I bump into every now and again in the kitchen is Noah Harris, who just finished this rather lovely ad for Ford Fiesta - This Is Now. It took him a good 7 months to finish, but it’s well worth it.
In good Web2.0-open-collaboration style, he got a bunch of designers/animators on board to create all the gorgeous visuals that show in the screens. Very now indeed. 
Now, I would have thought that Ford would include all the individual pieces on some microsite, get people to comment etc etc, but nope. They seem to have a microsite for this car, but no films. Instead they’re all on YouTube and you can watch them here.

Another rather talented director that sits in spitting distance from me is Tom Haines, who made this lovely music video for crazy Texan band White Denim. It has just been picked as video of the week on 6Music and it was criminally ignored for a nomination in the category Best Indie/Alternative video at the UK MVAs.

When bands ask their audience to participate in their new music video, it generally doesn’t get much further than a cameo in the audience of the ‘club-performance’ or at best, the chance to use the artists music to send in your own creation. Apart from the fact that cynics see it as a cheap way of getting result, it’s pretty standard fare. But here’s an interesting one: a music video project that’s based on technology and a global community of UGC-makers.

For their next video, Chemical Brothers and Nexus Productions are asking people around the world to upload a still or short video, documenting “the insanity that goes on at the stroke of midnight”. That’s a nice idea in itself, but the makers want to have material that’s “related to the specific point of origin”, so it can be uploaded and tracked via Google Earth. 

Collaborative, open, global and creative. Who knows what the end result will be, but I like the idea of it already.  

For the full brief, go here (open until August 25).

After my post 2 weeks ago about the use of split screen, I received another example from Straighty 180, a production company in Sydney, who made this music video last year. On the first level it’s just a normal, narrative music promo, but part of the concept was a website where the original video would play splitscreen with another video, together revealing more about the storyline.  
Not as interactive as the Pop Levi experiment, but nevertheless a pretty interesting example of cross-platform approach, still quite rare in music video land. 

This ‘music video multiplex’ for Pop Levi is already a few weeks old, but at the time I hadn’t started the noble art of blogging yet, so I thought I’d post it again. In case you hadn’t seen it. 

Although I really like the idea, the execution isn’t overly great. So it won’t be long before someone really explores the interactivity opportunities. I’d like to see more screens. And why not more moments where you have to pause/play/rewind to complete the video. Or make your own version for that matter. 

I reckon this could be something for director/artist Roel Wouters, you know: him from the live-installation trampoline concept for the rather fantastic zZz video.

Which by the way has just been re-used for this car ad. Quite badly re-used, I should say. Bit missing the point really.
Does anyone know whether Roel got to make that himself? It’s the same music, but I heard that he declined.

Bloody Radiohead. They’ve done it again.

While the music video industry is nervously looking around, trying to avoid gloomy nose-dive scenarios, those Radiohead fuckers do something no one else has done before. Again. 
An interactive, no-camera-just-code, ready-to-remix video experiment.
Genius, right? Or is it just another marketing ploy, as cynics were keen to point out  last year when the band gave away their album on a pay-as-want basis?

I think you can judge from a few angles. 

[Read more]

I like things that are just beautiful. But things that are beautiful ánd tell a story are just a little bit more interesting. These amazing pictures from French photographer Denis Darzacq are an example of the latter.

[Read more]